by Charlotte Cotton and Joshua Chuang
Studying the nineteenth-century cyanotypes of Anna Atkins, Meghann Riepenhoff (born 1979) was motivated in 2013 to get out of the darkroom and into the world to make her work. She began making cyanotypes directly in the environment, where elements such as precipitation, waves, wind, and sediment become physically etched into the photo chemistry. Two of Riepenhoff’s cyanotype series, Littoral Drift and Ecotone, are brought together in this new publication.
11.0 x 2.0 x 13.0 inches, 224 pages, Hard-cover.
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