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Dawould Bey:  Two American Projects

Dawould Bey: Two American Projects

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Yale University Press
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High Museum exhibition catalogue, Dawoud Bey:  An American Project.  On view November 7, 2020 through March 14, 2021.  This exhibition celebrates more than four decades of renowned photographer Dawoud Bey and his powerful photographs portraying underrepresented communities and exploring African American history.

by Corey Keller and Elisabeth Sherman

With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey’s vivid evocations of race, history, time, and place

Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan’s bombing of Birmingham, Alabama’s 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series’ place within Bey’s wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works’ evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.

10 x 0.7 x 11.2 inches, 128 pages, Hard-cover

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